{"id":1342,"date":"2021-09-19T12:55:51","date_gmt":"2021-09-19T10:55:51","guid":{"rendered":"https:\/\/lucagiacomoni.com\/?p=1342"},"modified":"2026-05-22T18:01:54","modified_gmt":"2026-05-22T16:01:54","slug":"antigone","status":"publish","type":"post","link":"https:\/\/lucagiacomoni.com\/en\/antigone\/","title":{"rendered":"OPHELIA"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Ophelia<\/em> is born from a desire that has accompanied me for years: to give body and voice, in another way, to a character too often overlooked. Ophelia passes through <em>Hamlet<\/em> like a shadow: objectified, silenced, abandoned in her madness. In this performance, she returns as a living presence \u2013 vulnerable and obstinate \u2013 in a language that is no longer that of words, but of dance, song, and dream. Carried by a proposal from curator Laura Lamonea and by the encounter with dancer Giulia Quacqueri, this vision was finally able to unfold.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The project was made possible through a collaboration with the association VIDAS, which supports people at the end of life, and through a work of inspiration around the dreamlike and unsettling universe of Francesca Woodman. This creation explores a threshold: that which separates and connects life and death. On stage, there is no story to follow, but a presence to listen to. <em>Ophelia<\/em> does not seek to explain or denounce: it is an invitation to inhabit the boundary of the visible, to let oneself be traversed by what remains at the margins. And to imagine, perhaps, another way of being in the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ophelia is born from a desire that has accompanied me for years: to give body and voice, in another way, to a character too often overlooked. Ophelia passes through Hamlet like a shadow: objectified, silenced, abandoned in her madness. In this performance, she returns as a living presence \u2013 vulnerable and obstinate \u2013 in a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2866,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>OPHELIA &#8226; Luca Giacomoni<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lucagiacomoni.com\/en\/antigone\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OPHELIA &#8226; Luca Giacomoni\" \/>\n<meta property=\"og:description\" content=\"Ophelia is born from a desire that has accompanied me for years: to give body and voice, in another way, to a character too often overlooked. Ophelia passes through Hamlet like a shadow: objectified, silenced, abandoned in her madness. 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