{"id":1331,"date":"2021-09-19T12:52:53","date_gmt":"2021-09-19T10:52:53","guid":{"rendered":"https:\/\/lucagiacomoni.com\/hamlet\/"},"modified":"2025-09-10T11:45:26","modified_gmt":"2025-09-10T09:45:26","slug":"hamlet","status":"publish","type":"post","link":"https:\/\/lucagiacomoni.com\/en\/hamlet\/","title":{"rendered":"HAMLET"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">When I start a new creation, I first of all look for the right soil: where do the soldier Woyzeck or the brothers Karamazov live today? Who can understand &#8211; not in an intellectual way, but through direct knowledge &#8211; the trajectory of Agamemnon or Ophelia? For <em>Hamlet<\/em>, I went to meet people who have had so-called &#8216;psychotic&#8217; experiences: understanding of voices, hallucinations, perceptual disturbances, memory loss. As the invisible is the central theme of the play, I needed to bring together a team that was sensitive to this subject.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Shakespeare&#8217;s work, there is a clear indication of the meaning of the theatrical act. Like therapy for the treatment of the phantom limb, illusion awakens memory &#8211; a formidable force acting on the present &#8211; and brings out the truth. So, in perfect baroque style, I chose to show the whole of the theatrical machinery: the lights, the walls, the costume changes, the training and the inevitable mistakes &#8211; as well as myself, the stage director, directing the actors in front of the audience. The artifice is on view, disturbing, in the strength of its reality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I start a new creation, I first of all look for the right soil: where do the soldier Woyzeck or the brothers Karamazov live today? Who can understand &#8211; not in an intellectual way, but through direct knowledge &#8211; the trajectory of Agamemnon or Ophelia? For Hamlet, I went to meet people who have [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>HAMLET &#8226; Luca Giacomoni<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lucagiacomoni.com\/en\/hamlet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HAMLET &#8226; Luca Giacomoni\" \/>\n<meta property=\"og:description\" content=\"When I start a new creation, I first of all look for the right soil: where do the soldier Woyzeck or the brothers Karamazov live today? 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